Helena Sousa Estévez

Solo and ensemble programme list performed – 20^th and 21^st century music repertoire

 ----------------------------------------------------------------------------------

Composer’s surname, composer’s first name (city, country/state, date of birth):

. Title of the piece (date of composition), instrumentation.

*Information in case of premiere

 ----------------------------------------------------------------------------------

Abrahamsen, Hans (Copenhague, Denmark, 1952):

. Three little nocturnes (2005) for string quartet and accordion.

Albulescu, David (Bucharest, Romania, 1996):

. Fiery States (2021) for bass clarinet and accordion.

*Premiered with Khaer Duo during “The Elements” concert series supported by Fonds Podiumkunsten, Rotterdam and The Hague, The Netherlands, 2021 (link here)

Alvarenga, Tomás (Braga, Portugal, 1989):

. so i aire (2021) for bass clarinet and accordion.

*Premiered with Khaer Duo during “The Elements” concert series supported by Fonds Podiumkunsten, Rotterdam and The Hague, The Netherlands, 2021 (link here)

Andrés, Pablo (Alcalalí, Spain, 1995):

. Butterfly Room Service – Act I – Scene 1 (2024), collective opera by 8 composers for flute, clarinet, cello, violin, horn, electric guitar, percussion, accordion and singers/actors.

*Premiered with Ensemble Linea conducted by Jean-Philippe Wurtz during the Academy Voix Nouvelles 2024, Royaumont, Arsnières-sur-Oise, France (link here)

Astiazaran Korta, Jagoba (Zestoa, Spain, 1986):

. Bitartean Heldu Eskutik (2014) for flute, Bb clarinet, percussion, piano, accordion, violin and cello.

*Premiered in Musikene - Higher School of Music of the Basque Country, San Sebastián, Spain, 2014

Barajas, Francisco (Barrancabermeja, Colombia, 1995):

. Butterfly Room Service – Act I – Scene 2 (2024) collective opera by 8 composers for flute, clarinet, cello, violin, horn, electric guitar, percussion, accordion and singers/actors.

*Premiered with Ensemble Linea conducted by Jean-Philippe Wurtz during the Academy Voix Nouvelles 2024, Royaumont, Arsnières-sur-Oise, France (link here)

Bárcenas, Juan José (Santiago de Querétaro, Mexico, 1982):

. Luvina (2023) for flute, oboe/English horn, baritone saxophone, percussions, piano, electric guitar, acoustic guitar, accordion, violin and violoncello.

*Premiered with Vertixe Sonora, conducted by Iván Ferrer-Orozco, during the International Festival Cardinais, Santiago de Compostela, Spain; during the Festival Internacional de Percusiones, Monterrey, Mexico, and during the Festival Internacional de Música Nueva Interciclos, Querétaro, Mexico, 2023 (link here)

Bell, Zachary (Houston, Texas, 2000):

. Septet-Love and Darkness Remain (2024) for flute, clarinet, accordion, piano, violin, viola, cello.

*Premiered with Ensemble Linea, conducted by Jean-Philippe Wurtz, as a part of the, project “Oversea VI” in the United States, at the Peabody Institute at Johns Hopkins, University, Baltimore, Maryland (link here)

 Besingrand, Jean-Patrick (Bordeaux, 1985):

. Cinq centimètres par seconde (2018) for Belarusian cimbalom, violin, accordion, soprano saxophone and bass clarinet.

*Premiered with Ensemble Intercolor in Cité de la Musique et de la Danse, Strasbourg, France, 2018 (link here)

. Les eaux font silence (2024) for flute, bass clarinet, viola and accordion.

*Premiered with Ensemble Linea, conducted by Jean-Philippe Wurtz, as a part of the project “Oversea VI” in the United States, at the next Universities: Peabody Institute at Johns Hopkins University, Baltimore, Maryland and Northwestern, Evanston, Illinois, 2024

Beyer, Stefan (Braunschweig, Germany, 1981):

. Mittel und Zwecke (Boulevard) (2014) for saxophones, accordion, percussions, piano, electric guitar and double bass (link here)

Bian, Yuchen (Pekín, China, 1998):

. Funes, el memorioso (2024) for flute, clarinet, accordion, piano, violin, viola, cello.

*Premiered with Ensemble Linea, conducted by Jean-Philippe Wurtz, as a part of the project “Oversea VI” in the United States, at the Peabody Institute at Johns Hopkins University, Baltimore, Maryland, 2024 (link here)

Cardini, Simone (Rome, Italy, 1993):

. How do you carry a shattered dream (2024) for saxophone, percussion, accordion, cello, double bass and soprano.

*Premiered with Vertixe Sonora during the project “Fogar”, Vigo, Spain, 2024

Cano Valiño, Rocío (Buenos Aires, Argentina, 1991):

. Fanguyo (2025) for contrabassoon soloist, flute, clarinet, trombone, percussion, accordion, piano, viola, cello, double bass.

*Premiered with Ensemble Linea conducted by Jean-Philippe Wurtz during the Festival Présences, Radio France, Paris, France, 2025

Cánovas i Pares, Helena (Barcelona, Spain, 1994):

. a thousand tiny homes (2024) for saxophone, percussion, accordion, cello, double bass, soprano and electronics.

*Premiered with Vertixe Sonora during the project “Fogar”, Vigo, Spain, 2024

Chen, Meiyan (Hubei, China, 1993):

. Diagonal Symphony (2019) for flute, Bb clarinet, horn, viola, cello, piano, accordion, steel-cello and percussions.

*Premiered with Ensemble Linea and Tempus Konnex, conducted by Jean-Philippe Wurtz and Natalia Salinas, during the IMPULS Festival 2019, Germany and France

Christensen, Mogens (Læsø, Denmark, 1955):

. Folia for Five - Folk Music from an Unknown Country (2019) Belarusian cimbalom, violin, accordion, soprano saxophone and clarinets.

*Premiered with Ensemble Intercolor during the Thy Chamber Music Festival 2019, Denmark (link here)

Christofi, Rafaelos (Nicosia, Cyprus, 2000):

. Thira (2021) for bass clarinet and accordion.

*Premiered with Khaer Duo during “The Elements” concert series supported by Fonds Podiumkunsten, Rotterdam and The Hague, The Netherlands, 2021 (link here)

Crespo Barba, Adrián (Madrid, Spain, 1995):

. Reborn Songs Of Childhood Dreams (2019) for flutes, clarinets, soprano saxophone, trumpet, trombones, percussions, soprano and accordion.

*Premiered with AKOM Ensemble, conducted by Roberto Beltrán-Zavala, during the Codarts Composers Festival 2019, Maaspodium, Rotterdam, The Netherlands

D’Adamo, Daniel (Buenos Aires, Argentina, 1966):

. Furia Porteña (2015) for accordion and percussions.

D’Ase, Dirk (Antwerpen, Belgium, 1960):

. Scenes from a journey, Klangszene III (2021) for accordion solo, movements II and IV.

Dazzi, Gualtiero (Milan, Italy, 1960):

. Exodes, voir l’autre versant du matin (2023) choral opera for choir, narrator, viola, clarinet and accordion; book and dramaturgy by Elisabeth Kaess.

*Premiered with the Choir d’Hommes de la Villette, conducted by Loïk Blanvillain in Paris, Strasbourg, Lalouvesc, Chambon-sur-Lignon and Saint-Flour, France, 2023

(link under request)

Deng, Xinlang (Henan, China, 2000):

. Butterfly Room Service – Act II – Scene 4 (2024) collective opera by 8 composers for flute, clarinet, cello, violin, horn, electric guitar, percussion, accordion and singers/actors.

*Premiered with Ensemble Linea conducted by Jean-Philippe Wurtz during the Academy Voix Nouvelles 2024, Royaumont, Arsnières-sur-Oise, France (link here)

Devaux, Sylvain (Paris, France, 1988):

. Butterfly Room Service – Act III – Scene 7 (2024) collective opera by 8 composers for flute, clarinet, cello, violin, horn, electric guitar, percussion, accordion and singers/actors.

*Premiered with Ensemble Linea conducted by Jean-Philippe Wurtz during the Academy Voix Nouvelles 2024, Royaumont, Arsnières-sur-Oise, France (link here)

Dionysiadis, Euripides (Athens, Greece, 1989):

. The gift (2019) for accordion, piano and percussions.

*Premiered with AKOM Ensemble in Korzo Theather, Den Haag, The Netherlands, 2019

. Unfolding in Time and Space (2022) for soprano saxophone, violin, Belarussian cimbalom, accordion and Bass Clarinet in Bb.

*Premiered with Ensemble Intercolor for the project “Ensemble Intercolor & Composers from Rotterdam”, supported by Droom en Daad, Oude Kerk Charlois, Rotterdam, The Netherlands, 2022 (link here)

Dúo 1ll0~ (Guillermo Almo (Málaga, Spain, 1995) and JuanLu Montoro (Málaga, Spain, 1991)):

. Cucharse – Xeny – VrTx (2022) for performers with mobile devices, flute, oboe, clarinet, saxophone, trumpet, trombone, percussions, accordion, violin, violoncello, double bass, electronic and video.

*Premiered with Vertixe Sonora for the project “Carga chea, outros plans”, Igrexa de Bonaval, Santiago de Compostela, Spain, 2022 (link here)

Escudero, Francisco (Zarautz, Spain, 1912-2002):

. Uranzu (1974) for accordion solo.

Fallahzadeh, Sina (Teheran, Iran, 1981):

. Variations Furtives (2023) for saxophone, accordion, electric guitar, piano and percussion.

*Premiered with Vertixe Sonora during the project "Exilios", Vigo, Spain; during the Festival Internacional de Percusiones, Monterrey, Mexico, during the Festival Internacional de Música Nueva Interciclos, Querétaro, Mexico, 2023 and during the World New Music Days organized by the Internacional Society for Contemporary Music ISCM, Cape Town, South-Africa, 2023 (link here)

Foresi, Michele (Macerata, Italy, 1988):

. 'tis a consummation devoutly to be wished (2019) for flute, Bb clarinet, French horn, percussions, piano, accordion, violin, viola, violoncello.

*Premiered with Ensemble Linea and Tempus Konnex, conducted by Jean-Philippe Wurtz and Natalia Salinas, during the IMPULS Festival 2019, Germany and France (link here)

Furundarena Usabiaga, Aitor (Ordizia, Spain, 1970):

. 3ko 2.a (Meditation sur Pythagore) (1991) for piano and accordion (link here).

. Ur (2011) for Bb clarinet, violin and accordion (link here).

. Urban Mammut (2015) for bass clarinet and accordion (link here).

Gaigne, Pascal (Caen, France, 1958):

. Alphabet (1999/2000) for percussions, saxophones and accordion (link here).

Galliano, Richard (Cannes, France, 1950):

. Opale Concerto (1994) for accordion and string orchestra.

Performed with the Real Filharmonía de Galicia, conducted by Joana Carneiro. Auditorio de Galicia, Santiago de Compostela, 2022 (link here)

Ganzer, Jürgen (Potsdam, Germany, 1950):

. Passacaglia (1995) for accordion solo.

González, Beltrán (Buenos Aires, Argentina, 1991):

. Carga chea, outros plans (2022) for baritone, flute, oboe, clarinet, saxophone, trumpet, trombone, percussions, accordion, violin, violoncello, double bass and electronics.

*Premiered with Vertixe Sonora, conducted by Beltrán González, for the project “Carga chea, outros plans”, Igrexa de Bonaval, Santiago de Compostela, Spain, 2022 (link here)

Gorandi, Damian (Buenos Aires, Argentina, 1991):

. Dark Virtue (2020) for soprano saxophone/tubax, violin, Hungarian cimbalom, accordion and bass clarinet.

*Premiered with Ensemble Intercolor during the “Concert Laureates of Musiques Éclatées”, Musée d’Art Moderne et Contemporaine, Strasbourg, France, 2020 (link here)

Granados Reguilón, Alberto (Madrid, Spain, 1993):

. Symposium (2018) for flutes, clarinets, tenor saxophone, bass trombone, percussions, harp, accordion, violins, viola, violoncello, double bass.

*Premiered with AKOM Ensemble, conducted by Roberto Beltrán-Zavala, during the Codarts Composers Festival 2018, De Doelen, Rotterdam, The Netherlands

Gubaidulina, Sofia (Chístopol, Russia, 1931-2025):

. In croce (1979/1992) for cello and accordion.

. Et expecto (1985) for accordion solo.

. Cadenza (2010) for accordion solo (link here).

Guerra, Manuela (Puglia, Italy, 1996):
. Butterfly Room Service – Act I – Scene 3 (2024) collective opera by 8 composers for flute, clarinet, cello, violin, horn, electric guitar, percussion, accordion and singers/actors.

*Premiered with Ensemble Linea conducted by Jean-Philippe Wurtz during the Academy Voix Nouvelles 2024, Royaumont, Arsnières-sur-Oise, France (link here)

Harvey, Jonathan (Warwickshire, United Kingdom, 1939-2012):

. Bird Concerto with Piano Song (2001) for piano, electronics/MIDI keyboard/synthesizer, piccolo, oboe, clarinets, bassoon, horn, trumpet, trombone, percussions, harp, accordion, violins, viola, cello, double bass.

Hejebri, Daphné (Grenoble, France, 1994):

. Phantasmagoria (2017) for flute, Bb clarinet, alto saxophone, percussions, accordion, piano, violin, viola, cello, double bass.

*Premiered during the Festival Musica 2017, conducted by Armand Angster, in Salle de la Bourse, Strasbourg, France (link here)

Heuberger, Ferdinand (Germany, 2003):

. TENEBRAE - Wahlkampf 1932, Opus No 7 (2019) for flute, Bb clarinet, horn, percussions, steel-cello, accordion, piano, violin, viola and cello.

*Premiered with Ensemble Linea and Tempus Konnex, conducted by Jean-Philippe Wurtz and Natalia Salinas, during the IMPULS Festival 2019, Germany and France

Hölszky, Adriana (Bucharest, Romania, 1953):

. Wolke und Mond (1996) for cello and accordion.

Hosokawa, Toshio (Hiroshima, Japan, 1955):

. Melodia (1979) for accordion solo.

. Birds Fragments II (1990) for shō and percussion (link here).

Hurel, Philippe (Domfront, France, 1955):

. Plein-jeu (2010) for accordion and electronics.

Jurado, Juan (Barcelona, Spain, 1991):

. El amor oscuro (2024) for saxophone, percussion, accordion, cello, double bass and soprano.

*Premiered with Vertixe Sonora during the project “Fogar”, Vigo, Spain, 2024

Kailis, Michalis (Nicosia, Cyprus, 1995):

. Deep blue (2018) for accordion, piano and percussions.

*Premiered with AKOM Ensemble in Korzo Theather, Den Haag, The Netherlands, 2019

. Aurora Borealis (2020) for bass clarinet, tenor saxophone, accordion, Hungarian cimbalom and violin.

*Premiered with Ensemble Intercolor for the project “Ensemble Intercolor & Composers from Rotterdam”, supported by Droom en Daad, Oude Kerk Charlois, Rotterdam, The Netherlands, 2022 (link here)

Karagkezidis, Vitali (Xánthi, Greece, 1991):

. Follow (2022) for flute, oboe, clarinet, saxophone, trumpet, trombone, percussions, accordion, violin, violoncello and double bass.

*Premiered with Vertixe Sonora conducted by Vitali Karagkezidis for the project “Carga chea, outros plans”, Igrexa de Bonaval, Santiago de Compostela, Spain, 2022 (link here)

Laguens, Natalia (Belém, Brasil, 1993):

. Butterfly Room Service – Act III – Scene 8 (2024) collective opera by 8 composers for flute, clarinet, cello, violin, horn, electric guitar, percussion, accordion and singers/actors.

*Premiered with Ensemble Linea conducted by Jean-Philippe Wurtz during the Academy Voix Nouvelles 2024, Royaumont, Arsnières-sur-Oise, France (link here)

Lazkano, Ramón (San Sebastian, Spain, 1968):

. Aztarnak (2000) for accordion solo.

Lee, Young-Jun (Seoul, South-Korea, 1990)

. Toccata (2024) for flute, clarinet, accordion, piano, violin, viola, cello.

*Premiered with Ensemble Linea, conducted by Jean-Philippe Wurtz, as a part of the project “Oversea VI” in the United States, at the Peabody Institute at Johns Hopkins University, Baltimore, Maryland, 2024 (link here)

Ligeti, György (Târnăveni, Romania, 1923-2006):

. Musica Ricercata II, IV and VII (1951/1953) transcription for solo accordion by Max Bonnay.

. Nonsense madrigals: 2. Cuckoo in the pear-tree (1988/1993) arranged and performed by Ensemble Intercolor for Belarusian cimbalom, violin, accordion, soprano saxophone and clarinets (link here).

Lim, Hyunkyung (Pocheon, South-Korea, 1967):

. Me-A-Ri (1999) for accordion solo.

López Vargas, Germán (Santiago de Querétaro, Mexico, 1989):

. Una lucha entre el día y la noche (2023) for flute, English horn, saxophone, percussions, piano, electric guitar, accordion, violin and cello.

*Premiered with Vertixe Sonora, conducted by Iván Ferrer-Orozco, during the International Festival Cardinais, Santiago de Compostela, Spain; during the Festival Internacional de Percusiones, Monterrey, Mexico, and during the Festival Internacional de Música Nueva Interciclos, Querétaro, Mexico, 2023 (link here)

Majkusiak, Mikołaj (Warsaw, Poland, 1983):

. Rhythms of Doubt (2010) arranged for bass clarinet and accordion (link here).

Makropoulou, Marianthie (Athens, Greece, 1994):

. Chrysalis of the Air (2021) for bass clarinet and accordion.

*Premiered with Khaer Duo during the “The Elements” concert series supported by Fonds Podiumkunsten, Rotterdam and The Hague, The Netherlands, 2021 (link here)

. Vessel Under Pressure (2022) for piano, accordion, percussion, violin and soprano.

*Premiered during the Codarts Composers Festival 2022, Codarts, Rotterdam, The Netherlands

Malondra Flaquer, Mateu (Palma de Mallorca, Spain, 1977):

. Free Module Study no. 1 (2015/2022): for electronics, Soprano saxophone, electric guitar, piano and accordion.

Manneke, Daan (Kruiningen, The Netherlands, 1939):

. Tombeau pour Ton de Leeuw (2012/2018) for accordion solo.

Martin, William (Dallas, Texas, 1999):

. Le Rayon Vert (2024) for accordion solo.

*Premiered as a part of the project “Oversea VI” with Ensemble Linea in the United States, at the Peabody Institute at Johns Hopkins University, Baltimore, Maryland, 2024

Martínez, Sofia (Vitoria, Spain, 1965):

. Lluvia (1998) for accordion solo (link here).

Masebe, Monthati (Johannesburg, South-Africa, 1995):

. Alakanisa (2023) for oboe, trumpet, Tenor saxophone, electric guitar, accordion, synthesizer bass, percussion, violin, viola, violoncello and electronics.

*Premiered with Vertixe Sonora, conducted by Mariano Chiacchiarini, during the music project "Njangi", Vigo, Spain; during the Festival Internacional de Música de Canarias, Canary Islands, Spain and during the World New Music Days organized by the Internacional Society for Contemporary Music ISCM, Cape Town, South-Africa, 2023

Meyers, Carlos (Milwaukee, Wisconsin, 2000):

. Polyhedral (2024) for flute, clarinet, accordion, piano, violin, viola, cello.

*Premiered with Ensemble Linea, conducted by Jean-Philippe Wurtz, as a part of the project “Oversea VI” in the United States, at the Peabody Institute of Johns Hopkins University, Baltimore, Maryland, 2024

Miller, Tamara (Santiago de Chile, Chile, 1992):

. Reflexively Stagnant Throb 1, 2 and 3 (2019) for flute, Bb clarinet, horn, percussions, steel-cello, accordion, piano, violin, viola and cello.

*Premiered with Ensemble Linea and Tempus Konnex, conducted by Jean-Philippe Wurtz and Natalia Salinas, during the IMPULS Festival 2019, Germany and France (link here)

. Hendiduras Friccionantes (2020) for Belarusian cimbalom, violin, accordion, soprano saxophone and bass clarinet.

*Premiered with Ensemble Intercolor during the Festival Musica 2020, Strasbourg, France (link here) 

Misael Gauchat, Maria (Tandil, Argentina, 1983):

. Opsis (2015) for accordion and percussions.

Mulholland, Graydon (Mississauga, Canada, 1996):

. Relatum (2019) for flute, clarinets, alto saxophone, trumpet, trombones, percussion, soprano, baritone and accordion.

*Premiered with AKOM Ensemble, conducted by Roberto Betrán-Zavala, during the Codarts Composers Festival 2019, Maaspodium, Rotterdam, The Netherlands

Mulshine, Mike (Queensbury, New York, 1994):

. how i go to sleep (2024) for flute, clarinet, piano, accordion, violin, viola, cello and electronics.

*Premiered with Ensemble Linea, conducted by Jean-Philippe Wurtz, as a part of the project “Oversea VI” in the United States, at Stanford University, Palo Alto, California, 2024 (link here)

Mühlrad, Jacob (Stockholm, Sweden, 1991):

. Heliopause (2025) for flute, oboe, clarinet, horn, trombone, percussion, piano, accordion, violin, viola, violoncello, double bass.

*Premiered with Ensemble Linea conducted by Jean-Philippe Wurtz during the Festival Présences, Radio France, Paris, France, 2025

Nante, Alex (Buenos Aires, Argentina, 1992):

. Der Gelbe Klang (2017) for Bb clarinet and accordion.

Nevannlina, Tapio (Helsinki, Finland, 1954):

. Foto (1987) for Bb clarinet and accordion.

Nordheim, Arne (Larvik, Norwey, 1931-2010):

. Flashing (1985) for accordion solo (link here)

Nuño de Buen, Andrés (Mexico City, Mexico, 1988):

. Tendón (2015) for alto saxophone in Eb, accordion, vibraphone and double bass.

. Balsa (2016) for accordion, clarinets, double bass and tape.

. Estela (2017) for flute, oboe / English horn, bass saxophone in Bb, C trumpet, percussions, harp, piano, tape, accordion, viola and violoncello (link here).

Olivares, Clara (Strasbourg, France, 1993):

. Fusion des Fêlures (2021) for Belarusian cimbalom, violin, accordion, tenor saxophone, bass clarinet/duduk.

*Premiered with Ensemble Intercolor during the Festival Musica 2021, Kehl, Germany (link here)

Onder, Bengisu (Ankara, Turkey, 1995):
. Butterfly Room Service – Act III – Scene 6 (2024) collective opera by 8 composers for flute, clarinet, cello, violin, horn, electric guitar, percussion, accordion and singers/actors.

*Premiered with Ensemble Linea conducted by Jean-Philippe Wurtz during the Academy Voix Nouvelles 2024, Royaumont, Arsnières-sur-Oise, France (link here)

Onyeji, Christian (Nsukka, Nigeria, 1967):

. Ero Muo / My Mushroom (2023) for accordion, cowbells, electric guitar, electric bass, oboe, piano, synthethizer, Tenor saxophone, trumplet, viola, viola and violoncello.

*Premiered with Vertixe Sonora, conducted by Mariano Chiacchiarini, during the World New Music Days organized by the Internacional Society for Contemporary Music ISCM, Cape Town, South-Africa, 2023

Otero Moreira, Ramón (Pontevedra, Spain, 1982):

. En una duna de arena del desierto (2022) for flute, oboe, clarinet, saxophone, trumpet, trombone, percussions, accordion, violin, violoncello and double bass.

*Premiered with Vertixe Sonora, conducted by Beltrán Zavala, for the project “Carga chea, outros plans”, Igrexa de Bonaval, Santiago de Compostela, Spain, 2022 (link here)

Padilla, Alejandro J. (Monterrey, Mexico, 1976):

. Cartografía de Viaje para Músicos Errantes (2023) for string instrument, wind instrument, brass instrument, keyboard instrument,

multipercussion, plucked string instruement, with or without electronics.

*Premiered with Vertixe Sonora, conducted by Alejandro J. Padilla, during the International Festival Cardinais, Santiago de Compostela, Spain; during the Festival Internacional de Percusiones, Monterrey, Mexico, and during the Festival Internacional de Música Nueva Interciclos, Querétaro, Mexico, 2023 (link here)

Pérez Sanmamed, Pablo (Santiago de Compostela, Spain, 1974):

. Contraluz (2021) for violin, accordion, piano and double bass.

. Dobre exposición (2021) for violin, accordion, piano and double bass.

. Efecto Bokeh (2021) for violin, accordion, piano and double bass.

. Erro de Paralaxe (2021) for violin, accordion, piano and double bass.

. Lightpainting (2021) for violin, accordion, piano and double bass.

. Nadir (2021) for violin, accordion, piano and double bass.

*All of these pieces were premiered with Maruja Roca Ensemble during the Xornadas de Música Contemporánea, Santiago de Compostela, Spain 2021.

. Patrón de Moiré (2021) for accordion solo.

*Premiered during the Xornadas de Música Contemporánea, Santiago de Compostela, Spain, 2021 (link here)

Piazzolla, Astor (Mar del Plata, Argentina, 1921-1992):

. Le Grand Tango (1982) arrangement for accordion and cello or double bass.

. Five Tango Sensations, Anxiety (1989) for accordion and string quartet or string orchestra.

Performed with the Real Filharmonía de Galicia, conducted by Joana Carneiro. Auditorio de Galicia, Santiago de Compostela, 2022 (link here)

Roca, Daniel (Las Palmas de Gran Canaria, Spain, 1965):

. Uguquko (2023) for oboe, saxophones, percussion, electric guitar, accordion, synthesizer, violin, viola, violoncello, electric bass and piano.

*Premiered with Vertixe Sonora, conducted by Mariano Chiacchiarini during the music project "Njangi", Vigo, Spain; during the Festival Internacional de Música de Canarias, Canary Islands, Spain and during the World New Music Days organized by the Internacional Society for Contemporary Music ISCM, Cape Town, South-Africa, 2023.

Romero, Lula (Palma de Mallorca, Spain, 1976):

. Die Wanderung I (2017) for accordion and electronics.

Sakata, Naoki (Kyoto, Japan, 1981):

. Between I (2010) for soprano saxophone and accordion (link here).

Sánchez Ortiz, José Alberto (Pachuca de Soto, Mexico, 1987):

. Sang (2019) for flute, clarinets, soprano saxophone, trumpet, trombones, percussion, soprano, baritone, accordion.

*Premiered with AKOM Ensemble, conducted by Roberto Beltrán-Zavala during the Codarts Composers Festival 2019, Maaspodium, Rotterdam, The Netherlands (link here)

Sánchez-Verdú, José María (Algeciras, Spain, 1968):

. Dhamar (1999/2000) for alto saxophone and accordion.

. Arquitecturas del silencio (2004) for accordion solo (link here).

. Jardín azul (2011) for piano and accordion.

Souto, Ramón (Vigo, Spain, 1976):

. Njangi (2023) for oboe, saxophone, trumpet, electric guitar, electric bass, accordion, piano, percussion, violin, viola, violoncello.

*Premiered with Vertixe Sonora, conducted by Mariano Chiacchiarini during the music project "Njangi", Vigo, Spain; during the Festival Internacional de Música de Canarias, Canary Islands, Spain and during the World New Music Days organized by the Internacional Society for Contemporary Music ISCM, Cape Town, South-Africa, 2023.

Strasnoy, Fernando (Buenos Aires, Argentina, 1990):
. Butterfly Room Service – Act II - Scene 5 (2024), collective opera by 8 composers for flute, clarinet, cello, violin, horn, electric guitar, percussion, accordion and singers/actors.

*Premiered with Ensemble Linea conducted by Jean-Philippe Wurtz during the Academy Voix Nouvelles 2024, Royaumont, Arsnières-sur-Oise, France (link here)

Thomasian, Jaz (Santa Rosa, California, 1993):

. Pareidolia (2024) for violin, viola, cello, accordion, flute, clarinet and piano.

*Premiered with Ensemble Linea, conducted by Jean-Philippe Wurtz, as a part of the project “Oversea VI” in the United States, in the University of Northwestern, Evanston, Illinois, 2024

Tonelli, Aleksandra (Buenos Aires, Argentina, 1992):

. Mestiza (2022) for double bass and accordion.

*Premiered with Inner Duo in Pianosalon Oude Delft, Delft, The Netherlands, 2022

Toraman, Zeynep (Istambul, Turkey, 1992):

. Awake (over the darkening land) (2022/2024) for bass flute, clarinet, accordion, piano, violin and violoncello.

*Version with accordion premiered with Ensemble Linea, conducted by Jean-Philippe Wurtz, as a part of the project “Oversea VI” in the United States, at the next Universities: Peabody Institute at Johns Hopkins University, Baltimore, Maryland and Northwestern, Evanston, Illinois, 2024.

Torres, Jesús (Zaragoza, Spain, 1965):

. Cadencias (2004/2013) for accordion solo.

. Concierto para Acordeón y Orquesta (2004/2019) reduction for piano and accordion.

*Accordion Concerto premiered with pianist Daniel Leiro Castro during the “Contemporary perspectives” concert series supported by Droom en Daad subsidy, Rotterdam, The Netherlands, 2021. This Concerto was commanded to the composer in 2019 and recorded in 2020 in Estudios Mans (A Coruña, Spain) thanks to the financial support of the HEAR – Haute École des Arts du Rhin (link here) 

Tucker, Emma (San José, California, 2001):

. Barbed Gossamer (2024) for flute, clarinet, accordion, piano, violin, viola, cello.

*Premiered with Ensemble Linea, conducted by Jean-Philippe Wurtz, as a part of the project “Oversea VI” in the United States, at the Peabody Institute at Johns Hopkins University, Baltimore, Maryland, 2024 (link here)

Tules, Antonio (Drancy, France, 1990):

. Récessive Sept (2017) for Belarusian cimbalom, violin, accordion, tenor saxophone and bass clarinet.

*Premiered with Ensemble Intercolor in Cité de la Musique et de la Danse, Strasbourg, France, 2017 (link here)

Ulman, Erik (United States, 1969):

. Sybille (2024) for flute, clarinet, piano, accordion, violin, viola and cello.

*Premiered with Ensemble Linea, conducted by Jean-Philippe Wurtz, as a part of the project “Oversea VI” in the United States, at Stanford University, Palo Alto, California, 2024.

Ursini, Angelo (São Paulo, Brazil, 1987):

. Enclosure (2019) for accordion, piano and percussions.

*Premiered with AKOM Ensemble, conducted by Angelo Ursini, in Korzo Theather, Den Haag, The Netherlands, 2019 (link here)

. Enchantments (2022) for Belarusian cimbalom, violin, accordion, soprano saxophone and clarinets.

*Premiered with Ensemble Intercolor for the project “Ensemble Intercolor & Composers from Rotterdam”, supported by Droom en Daad, Oude Kerk Charlois, Rotterdam, The Netherlands, 2022 (link here)

van Rossum, Piet-Jan (Delft, The Netherlands, 1966):

. à Hanso-bo un corbeau apparaît et regarde (2018) for soprano, flutes, clarinets, bass trombone, percussions, harp, accordion, violins, viola, violoncello and double bass.

*Premiered with AKOM Ensemble, conducted by Roberto Betrán-Zavala, during the Codarts Composers Festival 2018,  De Doelen, Rotterdam, The Netherlands.

van Wijck, Friso (Terneuzen, The Netherlands, 1974):

. Ridge (2018) for soprano, flutes, clarinets, saxophones, bass trombone, percussions, accordion, harp, violins, viola, cello, double bass.

*Premiered with AKOM Ensemble, conducted by Roberto Betrán-Zavala, during the Codarts Composers Festival 2018, De Doelen, Rotterdam, The Netherlands (link here)

. …of blue, of green… (2019) for Belarusian cimbalom, violin, accordion, soprano saxophone and clarinets.

*Premiered with Ensemble Intercolor in Cité de la Musique et de la Danse, Strasbourg, France, 2019 (link here)

. Bugfix (2020) for accordion solo.

*Premiered during the “Contemporary persectives” concert series supported by Droom en Daad subsidy, Rotterdam, The Netherlands, 2021 (link here)

Vega, Erika (Mexico City, Mexico, 1987):

. Mexico 68 (2023) for accordion, cello, percussion, piano and tenor saxophone.

*Premiered with Vertixe Sonora, conducted by Iván Ferrer-Orozco, during the International Festival Cardinais, Santiago de Compostela, Spain; during the Festival Internacional de Percusiones, Monterrey, Mexico, and during  the Festival Internacional de Música Nueva Interciclos, Querétaro, Mexico, 2023 (link here)

Velez, Miguel (Monterrey, Mexico, 1986):

. Miro la Tierra, apuntes de orientación (2023) for saxophones, percussions, accordion, electric guitar, violin, violoncello.

*Premiered with Vertixe Sonora, conducted by Iván Ferrer-Orozco, during the International Festival Cardinais, Santiago de Compostela, Spain; during the Festival Internacional de Percusiones, Monterrey, Mexico, and during the Festival Internacional de Música Nueva Interciclos, Querétaro, Mexico, 2023 (link here)

Velthuijs, Viktor (Den Haag, The Netherlands, 1986):

. Le jardin des délices (2019) for accordion, piano and percussions.

*Premiered with AKOM Ensemble in Korzo Theather, Den Haag, The Netherlands, 2019 (link here)

Wagemans, Peter-Jan (Den Haag, The Netherlands, 1952):

. Night Dancer (2018) for flutes, clarinets, harp, accordion, percussions, violins, viola, cello, double bass.

*Premiered with AKOM Ensemble, conducted by Roberto Beltrán-Zavala, during the Codarts Composers Festival 2018, De Doelen, Rotterdam, The Netherlands (link here)

Webern, Anton (Viena, Austria, 1883-1945):

. Variations op. 27 (1936) original for piano solo.

Wu, Alexander (Lishui, China, 2000):

. (intro)introintrointrointrointr (2024) for flute, clarinet, accordion, piano, violin, viola, cello.

*Premiered with Ensemble Linea, conducted by Jean-Philippe Wurtz, as a part of the project “Oversea VI” in the United States, at the Peabody Institute at Johns Hopkins University, Baltimore, Maryland, 2024 (link here)

Yokoyama, Mioko (Sapporo, Japan, 1989):

. Reflektorische Farblichtspiele nr.4 und nr.5 (2019) for flute, Bb clarinet, horn, percussions, steel-cello, piano, accordion, violin, viola, cello.

*Premiered with Ensemble Linea and Tempus Konnex, conducted by Jean-Philippe Wurtz and Natalia Salinas, during the IMPULS Festival 2019, Germany and France (link here)

Yoshimatsu, Takashi (Tokyo, Japan, 1953):

. Onion Ballet Suite I, II, III and IV (2008) for accordion solo (link here).

Zea, Daniel (Bogotá, Colombia, 1976):

. ChumA (2022) for 14 musicians and real-time sheet music generator.

*Premiered with Vertixe Sonora during the Contemporary Music Season MIHLSons-XXI, Museo Interactivo de Historia de Lugo (MIHL), Spain, 2022 (link here)

Zou, Tianyu (Guangzhou, China, 1996):

. Quintet (2020/2021) for saxophones, electric guitar, piano, accordion and percussion.

*Premiered with Vertixe Sonora during the “Tremor” project in Teatro Aveirense, Aveiro, Portugal, 2022 (link here)

Back to top